I don't know if you've noticed a common thread as we've been taking you through the history of the various Memorials and Monuments, but you might have picked up by now that, almost uniformly, they all had controversies surrounding the location, design, construction, and so on. Except, to the best of my knowledge, the Korean Veterans Memorial. Perhaps it was forgotten.
But we rebound strongly with our next one, the National World War II Memorial. Obviously, no one objected to the choice to build a memorial honoring those who fought in the Second World War (or at least no one who we have to listen to), but the choice of its location, at the end of the Reflecting Pool, between the Washington Monument and the Lincoln Memorial, caused a titanic debate, with some even arguing that its location "defaces a National treasure".
Now I too was skeptical about it's location, but I'm a believer. First off, the final design, that which was ultimately built, is far less obtrusive than the original plan. The built Memorial nicely frames the Washington Monument when viewed from Lincoln. Secondly, as arguably the most pivotal crisis of the 20th Century, World War II very much belongs with our first President and the man who brought us through the Civil War. And finally, it looks a whole lot better than the broken down and deserted fountain it replaced.
I'm less complimentary about another element of its design. The Memorial is flanked by 56 pillars, representing the 48 states and 8 territories that comprised the United States at the time. I don't get this. Unlike the Korean Memorial, where depicting the various races in the sculptures was a nod towards the desegregation of the military, World War II had no specific nexus with the states. Why not list all the counties, while your at it. I understand the whole "we were separate states but came together as one nation" argument, but that's really not a part of the World War II narrative. Once federalized early in the War, even National Guard units rapidly lost much of their state identities, especially when replacement troops began being assigned.
But my aesthetic whining aside, this is a fitting tribute to the overplayed but still valid label of the "Greatest Generation". I've had some rewarding times as a tour guide, but none more so than having the privilege of taking a bus load of World War II veterans there last month. To see their impressions first hand, and to get to hear their accounts, was far more valuable than any stories or tales I could add. As he so often is, Senator Dole was on hand, with his wife Senator Dole, to great the veterans personally. It was a very moving moment. Then my bus blocked Sen. Dole's car in.
While the odds are not bad that you might see the Senator at the Memorial, prudence demands that you have a back up plan for visiting. Yes, yes, go and see your state's pillar. Now that that's out of system, you will of course want to see Freedom Wall, where each gold star represent 100 Americans killed. No, I'm not going to tell you how many there at; count them yourself. The gold star was a symbol displayed in one's house when a family member had been killed in the War; sadly the tradition continues today. Also make sure to see the excellent bas-relief sculptures along the entrance towards 17th St. And, of course, you must go around the back and witness the "graffiti" carved in the rear. Paying homage to the more irreverent nature of the young men and women of the War is an engraved Kilroy Was Here, a critical reminder that in the midst of all the marble and bronze, real people, with human foibles, accomplished so much.